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Giovanni Vailati, mandolinist

Giovanni Vailati (1815 - 1890) was an Italian mandolinist who reached the virtuosic-level of playing ability and was able to travel and perform throughout Europe.[1] Entirely self taught on his instrument, he was described by Philip J. Bone as a "natural genius on his instrument, who by his remarkable performances, became known throughout his native land as 'Vailati the blind, the Paganini of the mandolin.'"[1] He is important as one the first generations of quality performers to use mandolin. He was one of a small number of mandolinists of the 19th century to play the mandolin in the concert halls of Europe after the Napoleonic War, who played with excellence in spite of indifference and diffidence toward their chosen instrument.[4] Pietro Vimercati was another, whose concerts predated Vailati's by about 30 years.[4] Also performing in Europe in the years following 1815 was Luigi Castellacci.[1]
Vailati was born "at the Torchio farm in the village of Vairano in the current village of Santo Stefano," near Crema, and grew up in a rural setting.[3] Records are confusing, and the indication is that either he was blinded soon after birth, or about age 7 from smallpox.[5]
Taking up the mandolin, he joined the ranks of people who made a living on the streets, playing for themselves and "begging a small fee" from others.[5] He got some help from Pietro Bottesini, the father of double-bass player Giovanni Bottesini and himself a clarinet professor.[5] Pietro worked with him on "musical principles" and the harpsichord and violin.[3][5] Bottesini was impressed with his virtuosity, particularly his ear; Vailati demonstrated the ability to retain and play music that he had heard only once or twice.[5] He performed in the coffee shops in Crema, and then in Lombardy's other cities, building his reputation.[5] In 1852 on December 2, 1852 at the Teatro Regio in Parma, he have a performance that was noticed.[5] Eventually Vailati was invited and performed in England, Portugal, Sweden, Norway and Germany, which was a rare accomplishement for any mandolinist in the middle of the 19th century.[5][4]
According to historian Paul Sparks, there was a decline in the use of the mandoline and mandolino (French and Italian mandolins) after 1815, and a general disinterest in plucked instruments "during the second and third quarters of the nineteenth century" to include harps, lutes, and guitars.[6] They were surpassed by struck and bowed string instruments in the concert halls, pianos and violin-family instruments.[6] The mandolin, which had been only been briefly allowed into the concert hall was largely excluded.[6] It became a "folk" instrument, in an era when that went along with poverty.[7] Although Giovanni Vailati did well as a performer, he was performing in a period when the mandolin was out of style in the concert hall.[4] In 1855 he performed at a benefits concert at the Sala dell'Arte in Florence, and only a few people showed up; however the Gazzetta musicale di Firenze paid him tribute on its front page.[4]
He died in the poor house in Crema, November 25, 1890.[1] According to Bone, Vailati was betrayed by someone he had known most of his life, who stole his savings, and "being quite destitute, was forced to seek the shelter of his native poor house, where he passed the remainder of a desolate career."[1] After he died, a monument was erected in Crema with the words "To Giovanni Vailati, the blind professor of music, who honourably upheld the name of his country over all Europe. Crema is grateful."[1]

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For example :
adding to the C minor pent. scale : C - Eb - F - G - Bb - Cthe diminished 5th - Gbproduces the C Blues scale : C - Eb - F - Gb - G - Bb - C In relation to the Major scale the notes of the Blues scale are : 1 - b3 - 4 - b5 - 5 - b7 - 1.  The b3, b5 and b7 notes of the scale (for C Blues scale : Eb, Gb and Bb) are the so called blue notes of the scale.

Here are the Blues scales in all 12 keys listed in Circle of Fifths order.
    C Blues scale     C - Eb - F - Gb - G - Bb - C    G Blues scale     G - Bb - C - Db - D - F - G    D Blues scale     D - F - G - Ab - A - C - D    A Blues scale     A - C - D - Eb - E - G - A    E Blues scale      E - G - A - Bb - B - D - E    B Blues scale      B - D - E - F - F# - A - B    F# and Gb Blues scales     F# - A - B - C - C# - E - F#,     …

A Mode Mnemonic

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I've Developed Perfectly Logical Modal Associations. Listen!
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Now the way to remember the notes in a mode is that the interval between the half steps on the white keys on the piano are the same: B>C; E>F first, and second, which note the mode starts on.  If you remember those two things, you have all the intervals of the modes!

C = Ionian (C,D,E,F,G,A,B,C)
D = Dorian (D,E,F,G,A,B,C,D)
E = Phrygian (E,F,G,A,B,C,D,E)
F = Lydian (F,G,A,B,C,D,E,F)
G = Mixolydian (G,A,B,C,D,E,F,G)
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Another way to remember the modes is to use all white notes, m…

Weber / Flatiron Mandolin For Sale

One of my students is looking to sell their Weber / Flatiron Mandolin.

Here is the description:
“Bruce Weber Signed 1994 Flatiron A5 Jr Price  $1100
Very fine sounding mandolin with great volume and good tone. An adjustable truss rod has replaced the original non-adjustable truss rod. It has just been fret dressed, fitted with a Brekke bridge, and set-up properly by our local luthier who has 35 years experience. A Cumberland pick guard has been added. The strap and arm rest in the photo are included as well as a HSC. Has J74's on it. If you are not familiar with Flatiron mandolins see Brad Laird's blog at: http://www.bradleylaird.com/blog-articles/blog-22-flatiron-bro.html. It is in excellent condition with the normal wear expected from a well taken care of 24 year old mandolin. There is however about a quarter sized spot of pick rash under the pick guard where it can not be seen.”
Contact Info:
Tim Logan 480-695-2436 15 Town Farm Road Shutesbury Nz7c.ham@gmail.com
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