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Playing for Irish Dancers

(by Marci Phelan)
The Tunes

Ceili, or social dancing, uses mostly double jigs and reels, though polkas can be substituted for reels in some cases. A few dances use special tunes, and waltzes are often requested at a ceili.

Step dancing requires reels, hornpipes (slow and fast), single jigs, double jigs (slow and fast), slip jigs, and set dances.

For all tune categories except set dances, you should have multiple tunes arranged and practiced ahead of time so you can transition smoothly from one to the next, providing music for a long period­ as long as 10 minutes for some ceili dances or a "step about" with lots of dancers ­without stopping. Set dances are individual so there's no need to transition from one to another.

Number of Steps and Introduction

Most step-dance steps are 16 bars long (8 bars on each foot), so a typical two-part, 32-bar tune (A-B format) is enough for two steps. If a dancer plans to do six steps, that means you'll play a two-part tune three times …

Tunes and Tempos commonly suggested for usage at a Feis:

Tune And Tempo Suggestions for a Feis

Don’t worry very much about learning these if they are new to you; it’s better to choose tunes you know and are comfortable with playing at a steady beat. (Tempo is the most important part of playing at a feis.) Simpler, catchy tunes are best, at least for lower levels. That said, we do have a few favorites that seem to keep popping up. Also look at other feis musicians’ CDs and MP3s for suggestions, such as those by Pat King, Mike Shaffer, Sean O’Brien, and Dean Crouch.

Reels
Reels: 112–116

Jenny’s ChickensChicago ReelCongress ReelRakes of MallowWalls of Limerick

Light/Double Jigs
Jigs: 112–116

Swallowtail JigRakes of KildareMy Darling AsleepApples in WinterSiege of Ennis

Slip Jigs
Jigs: 112–116

The ButterflyKid on the MountainFoxhunter’s JigBoys of Balisadare

Single Jigs
Jigs: 112–116
Advanced Beginner Treble Jig: 92
Oireachtas Treble Jig: 72–76

Haste to the WeddingKesh JigMerrily Kiss the Quaker

Hornpipes
Traditional Hornpipe: 138–144
Oireachtas Hornpipe:…

Feis na nGleann

Feis na nGleann was established in 1904 in the picturesque Glens of Antrim by a group of cultural enthusiasts who wished to preserve the Irish language, traditions, songs, music, games and past-times for future generations.

The native Irish had struggled to preserve their ancient laws and customs for years and during the last quarter of the 19th century, Ireland was experiencing a massive cultural revolution. The north Antrim coast was no different.

An Cumann Luthcleas Gael (Gaelic Athletic Association) was founded in 1884, in Thurles, County Tipperary to preserve Gaelic games and was closely followed by the Gaelic League in the summer of 1893 in Dublin. The League's main aim was to preserve Irish as a spoken language and like the GAA, branches were being formed all over Ireland dedicated to keeping the language alive.

It was the establishment of a branch in Belfast that stirred interest in the North. Its president was Glenarm historian and leading Gaelic scholar Eoin MacNeill. H…

How to Apply As A Musician for Riverdance

Musicians should include a CV/resume, photograph, video and audio recording.

Please submit all applications to:
Music Department Supervisor, Abhann Productions, 133 Capel Street, Dublin 1, Ireland

Email queries to info@riverdance.com

Irish Dancers At The Crossroads No More

What images do you conjure in your mind when you think of 'Irish Dancing' ? Do you think of dancers at the crossroads in times gone by or the over dependence on false tan and hair pieces that grace the stage today?

Whatever your individual image of 'Irish Dancing', it remains a global phenomenon , from its humble formal beginnings in the latter part of the 19th Century to the jaw dropping shows that continue today around the World.

Indeed, Irish Dancing wasn't always as auspicious as it is today. The Irish people fought against the repression of the penal laws in the 17th Century ensuring that Irish education, Culture and dancing survived for future generations. It is to their credit that the sense of national pride was nurtured during these very difficult times often practicing in secret and following the tragedy of the Irish famine in mid 1840’s, a stoic sense of national pride needed to be fostered. Despite this draconian past, Ireland's culture, traditions…

The history of Irish Dance

by Arthur Flynn

The early history of Irish dance reveals a constant shifting of population through migration and invasions. Each of these peoples brought their preferred types of dance and music. There are only vague references to the early history of Irish dancing, but there is evidence that among its first practitioners were the Druids, who danced in religious rituals honoring the oak tree and the sun. Traces of their circular dances survive in the ring dances of today. When the Celts arrived in Ireland from central Europe over two thousand years ago, they brought with them their own folk dances. Around 400 AD, after the conversion to Christianity, the new priests used the pagan style of ornamentation in illuminating their manuscripts, while the peasants retained the same qualities in their music and dancing.

The Anglo-Norman conquest in the twelfth century brought Norman customs and culture to Ireland. The Carol was a popular Norman dance in which the leader sang and was surrounde…

Irish Dancing - Ceilidh and Set Dancing

Irish dancing or Irish dance is a group of traditional dance forms originating in Ireland which can broadly be divided into social dance and performance dances. Irish social dances can be divided further into céilí and set dancing. Irish set dances are quadrilles, danced by four couples arranged in a square, while céilí dances are danced by varied formations (céilí) of two to sixteen people. In addition to their formation, there are significant stylistic differences between these two forms of social dance. Irish social dance is a living tradition, and variations in particular dances are found across the Irish dancing community; in some places, dances are deliberately modified and new dances are choreographed.
Irish dancing, popularized in 1994 by the world-famous show Riverdance, is notable for its rapid leg and foot movements, body and arms being kept largely stationary.
Most competitive dances are solo dances, though many stepdancers also perform and compete using céilí dances. The…

Playing In A Small Group

Chamber groups are small ensembles such as string quartets and piano trios, who play music intended for performance in close chambers such as parlors and living rooms, churches, or virtually any venue smaller than a large concert hall. While their small sizes and are ideal for intimate settings, chamber groups can, of course, also perform in great concert halls. Chamber orchestras with fifteen or more players blur the definition of a chamber group somewhat; however, while chamber orchestras are relatively large, they remain small and "chamber-like" in comparison to the immense size and volume of full modern orchestras.

It's the best way to meet people. It's much easier than a party. You go to a party, you wonder if someone is going to be approachable or not, but when you play music together, somehow you're communicating immediately, and you go to that level socially as well. Once you start playing music, you can communicate in a way that you could never do just …

Enter to win a FREE A-STYLE MANDOLIN

Like our Facebook Page to enter to win a FREE A-STYLE MANDOLIN with padded case, chord book and free introduction lesson to get you started!

All you have to do to be eligible for the FREE MANDOLIN is register for either the Mandolin Group, the South Hadley Mandolin Orchestra, or private Mandolin Lessons (in person or online). Click here to register.

There will be a drawing from all of the entries at 7pm on Monday, January 6, 2014.

(sorry, only new students are eligible for the drawing)

NEFFA Thinks Paying Callers Is Not A Good Idea

Beth Parkes · Friends with Larry Unger and 1 other said this on my Facebook page earlier:

As a NEFFA board member, I would like to comment on Adam’s comments about the grant request that was not funded. In the lengthy letter explaining why the grant was not funded, it was explained that the committee felt that the financial design of the proposal was not economically feasible. His proposal included a hefty payment to callers and a relatively low admission. The design had a high break-even point. While the committee did question whether he could pull enough dancers from the well-served areas of Greenfield, “too many dances in the area” was not the primary reason for the grant not being funded.

And this is what I had said:  

"I tried to start up a contradance here in South Hadley at the town hall with a grant from NEFFA and the CDSC, but they all said there are too many dances already in western MA and they don't think there should be another one!  I was shocked actually, especi…

A classical violinist asks how to "get into" fiddle music. Here's my response.

Most music in the western world came from western Europe. It's primarily based on secular dance forms such as reels, hornpipes and polkas (jigs too, but they are limited in some regions)

Regardless of the dance form, most music follows certain rules:

the melodies consist of 4 bar phrases and are either 16 bars long or 32 bars longthe chords used follow the I, IV, V pattern (if you're in the key of G then the chords will be G, C, D), sometimes with the relative minor (Em).the first part of the song (usually called the A part) consists of either 2 4 bar phrases repeated (8 bars) or 4 4 bar phrases repeated (16 bars). the 2nd part will be a duplicate of the first.

Understanding this structure makes it easy for you to parse out the different sections. Vocals will generally consist of a verse and a chorus, the chorus usually repeated after each verse with breaks in between. The breaks in bluegrass and a lot of folk styles may be improvised, the player making up melodies (consisting …

Jamie Macpherson

From Wikipedia, the free encyclopedia

James MacPherson (1675–1700) was a Scottish outlaw, famed for his Lament or Rant, a version of which was rewritten by the Scottish poet, Robert Burns. The original version of the lament is alleged to have been written by MacPherson himself in prison on the eve of his execution.

MacPherson was the illegitimate son of a Highland laird, MacPherson of Invereshie, and a beautiful Tinker or gypsy[clarification needed] girl that he met at a wedding. The gentleman acknowledged the child, and had him reared in his house. After the death of his father, who was killed while attempting to recover a "spread" of cattle taken from Badenoch by reivers - the boy was reclaimed by his mother's people. The gypsy woman frequently returned with him, to wait upon his relations and clansmen, who never failed to clothe him well, besides giving money to his mother. He grew up “in beauty, strength and stature rarely equaled.” MacPherson is reported as being a…

Lúnasa and Karan Casey in a very special holiday concert

Sunday, December 1, 2013

LÚNASA: CHRISTMAS FROM IRELAND

2:00 p.m.

Ireland's widely acclaimed acoustic band brings a Celtic Christmas celebration to Mechanics Hall. Lúnasa has performed at the Hollywood Bowl, Dublin’s National Concert Hall, the Sydney Opera House and at the White House. Lúnasa's inventive arrangements and bass driven grooves have steered Irish acoustic music into surprising new territory. Its recordings are hailed internationally among the best and most important world music albums and its blend of intelligence, innovation, virtuosity, and passion has Lúnasa at the forefront of Celtic music.

They will be joined by the incredible Karan Casey who has long been one of the most innovative, provocative and imitated voices in Irish traditional and folk music.

Tickets:
General Admission $30
Members of Mechanics Hall or Hibernian Cultural Center $25 until November 15, 2013 (with special promo code)
Groups of 10 or more: Discount applies; contact the Box Office at 508-7…

The Grascals Release "American Picker" Video

published by BMNN on Thu, 10/31/2013

Here it is, friends! It’s the companion video for The Grascals' song “American Pickers” which appears on When I Get My Pay (street date November, 19). Yep, those are our pals Mike Wolfe from the History Channel TV show American Pickers and superstar/all-around-good-guy Dierks Bentley making guest appearances. The Grascals commented, "We love those guys! Whatcha think???"

http://www.youtube.com/watch?v=Sgc17O1RgKo

The Grascals recently announced the addition of fiddler Adam Haynes to the band. Adam has an impressive pedigree having played with some of the finest: Melvin Goins & Windy Mountain, The James King Band, David Parmley & Continental Divide, Dailey & Vincent, Larry Stephenson Band, and most recently Grasstowne. Adam is originally from Norwalk, OH but spent quite some time in Eastern Kentucky where his family has roots as deep as bluegrass. Adam currently makes his home in Portland, TN with his wife, Janette, and two…

Three Reasons Why I Don't Put Prices On My Website

by Adam R Sweet
October 30, 2013

Reason #1

Tire Kickers Love The Game

I sell a lot of stuff on Craigslist and through pages on Google+ and other social bookmarking sites.  I get dozens of inquiries from "tire kickers".  You can tell who they are instantly.  They always start out with "what's the model number" or "what are the other specs" or words to that effect.  They are not looking to purchase or to make a deal, they are often trolls or troglodytes interested more in the game of bargaining you down, or worse, making you feel bad about yourself, than actually doing anything worthwhile.

Reason #2

Tire Kickers Don't Buy Locally

Tire Kickers who are not trolls or troglodytes are not interested in buying locally.  They want you to do the research for them, then they'll bargain someone else down somewhere online "I saw it on Craigslist for $X and got the dude to go down to $x"

Reason #3

Tire Kickers Don't Have The Money In The End

If …

Promotion for the Independent Musician

BY: PHOSPHENE PRODUCTIONS

In a market saturated with the music of aspiring musicians and already well established acts it can be difficult for new acts to gain exposure. This begs the question, how does an artist stand out and get heard over the masses of music uploaded to the web each day? This guide was written as a follow-up of sorts to our blog “treating your band as a business” and also ties in with our online marketing crash course. The article will be split into two sections: the first pertaining to more traditional “physical” promotion techniques and the second focused on marketing your music online to listeners around the globe.

The Demo CD


The demo CD (or tape if you remember the golden days of the cassette) has long been a staple of promotion for aspiring musicians. A demo of your music can be anything from rough DIY live recordings to a selection of two or three professional recordings of your best songs. Although sometimes a well-composed, well-performed song can shine th…

Newfoundland Dancing And Music from Fogo Island in the 1990s

A very lively video of an old fashioned Newfoundland kitchen party featuring Fogo Islands most well known accordion players, Harry Eveleigh, Pat Freake, Harvey Budgell. Which took place somewhere within the early 90's on Fogo Island, Newfoundland.

Some of the tunes played (not in order)
- Off She Goes
- Cock Of The North
- Mussels In The Corner
- Boys Of The Bunkhouse
- I'se Da Bye

These clips were taken from "Fogo Island, my Island home" movie published and produced by Gerald Freake.






Making the most of your hours in the practice room:

by Christine Carter


One simple change that could drastically increase your productivity
When it comes to practicing, we often think in terms of time: How many hours are necessary to achieve optimal progress? While this is a valid concern, a more important question is how we can make each hour count. What is the most efficient way to work so that what is practiced today actually sticks tomorrow? There is nothing more frustrating than spending a day hard at work only to return the next day at the starting line. Unfortunately, our current practice model is setting us up for this daily disappointment.
Repetition, babies, and brain scans
Early on in our musical training, we are taught the importance of repetition. How often have we been told to “play each passage ten times perfectly before moving on”? The challenge with this well-intentioned advice is that it is not in line with the way our brains work. We are hardwired to pay attention to change, not repetition. This hardwiring can alrea…

Practicing Scales On The Mandolin

I recommend the following patterns picked with Scale Sets (a scale set starts with C at the top of the circle of fifths and goes clockwise, a different set every day including the Major scale - 2 octaves with 4th finger, the Relative Minor - 2 octaves with 4th finger, the Major arpeggio - 1,3,5,8 2 octaves with 4th finger, the Relative Minor arpeggio - 1,3,5,8 2 octaves with 4th finger):
whole notes (4 beats per note) down strokes only, top string whole notes (4 beats per note) up strokes only, bottom string whole notes (4 beats per note) down stroke, up stroke, down stroke, up stroke, top string, bottom string only (don't brush across strings quarter notes (4 strokes per note) down up down up, top and bottom string, don't brush 8th notes (8 strokes per note) down up single strings, no brushing 16th notes (16 strokes per note) down up etc triplets - 2 sets of triplets (6 notes) per note down up single string no brushing set your metronome at the slowest notch the first…